

That sense slowly arises on Glass, a site-specific performance that utilizes Johnson’s building as an instrument itself. There’s a resonant center to Noto and Sakamoto’s work together in which stark timbres and abstract electronics ultimately turn heart-stirring. He has said that making experimental music led him back to the music of his youth, working under the influence of artists like Nam June Paik and the Fluxus movement. But collaborating with one of the most austere electronic producers of the clicks ‘n’ cuts generation marked a return of sorts. Their work there made the frozen wilderness of the film feel all the more bitter, and Glass, the live recording of that 2016 performance, pushes deeper into chilly abstraction.Īfter decades of making groundbreaking synth-pop as a member of Yellow Magic Orchestra and working with artists such as Brian Wilson, Iggy Pop, and David Sylvian on his own solo albums, Sakamoto pivoted away from pop music. They most recently collaborated on the soundtrack to Alejandro G. Noto and Sakamoto’s musical dialogue stretches back to the beginning of the 21st century, when the duo began trading the files that ultimately became 2002’s Vrioon. It’s a sound that Sakamoto recorded while strolling the grounds of the 20th-century American architect Philip Johnson’s iconic Glass House before a duo performance with Alva Noto (aka Carsten Nicolai) back in September 2016.
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It does not store any personal data.A third of the way into his 2017 comeback album, async- Ryuichi Sakamoto’s first solo album in eight years and his first since recovering from throat cancer-a rustling noise arises on “Walker.” It’s a hushed, uncanny piece, full of faraway electric drones mixed with a much closer and more personal sound, of leaves crunching underfoot. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is used to store the user consent for the cookies in the category "Other. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". showing relevant, targeted ads on and off our web propertiesĭetailed information can be found on our Privacy Policy page. personalized search, content, and recommendations remembering privacy and security settings remembering account, browser, and regional preferences The Vinyl Factory Group, trading as: The Vinyl Factory, Vinyl Factory Manufacturing, Phonica Records, FACT Magazine, FACT TV, Spaces Magazine, Vinyl Space, and The Store X, uses cookies and similar technologies to give you a better experience, enabling things like:

Head here for more info and check out the artwork and tracklist below. Read next: Scoring The Revenant – An interview with Ryuichi Sakamoto and Alva NotoĬaptured during their performance at Sydney Opera House in 2018, the 14-track album features performances of new improvised works alongside key collaborative compositions, including the duo’s score from The Revenant, which you can listen to below.Īs Ben Marshall of Sydney Opera House explains of the recording: “ TWO’s pulsing, immersive live performance melded electronic and analogue instrumentation with striking visuals to create one of the most precise, beautiful and challengingly magnetic pieces we have ever had the privilege of staging.”īoth Carsten Nicolai and Ryuichi Sakmoto have previously release3d music with The Vinyl Factory, the former with bausatz noto, and the latter with a live performance alongside Taylor Deupree captured at St John Sessions in London in 2015.ĪLVA NOTO and Ryuichi Sakamoto’s TWO – Live at Sydney Opera House is released on 15th November. The pioneering electronic artists return.Ĭarsten Nicolai aka ALVA NOTO and Ryuichi Sakamoto will release a new live album, TWO, this November via Nicolai’s NOTON imprint.
